Fauvism

In Black and White

Posted by Deborah Ann on Oct 6, 2014 in Fauvism, Influences, Process, Tools

From the studio – another note on process: Recently I have been taking both coloured and black and white snapshots of works in progress and looking at them together. This is proving to be a useful tool in my work process. It came about as a result of looking through an old book on Fauvism and discovering that many […]

Under the influence of Fauvism

Posted by Deborah Ann on Aug 6, 2014 in Fauvism

In trying to push the language of collage I draw great inspiration and courage from the Fauves (wild beasts). These ‘wild beasts’ are my heroes: Derain, Matisse, Braque, Vlamink, Manguin amongst others. The Fauvists didn’t have a formal manifesto but the basic principles of Fauvism were that there be a purity and economy of approach. Despite the […]

GRANDAD

1st April 2021

Another of the small sculptural heads I’ve recently completed, as part of the series exploring ageing. (16cm x 22cm x 15cm)

NANA

11th March 2021

HEAD OF A GRANDMOTHER

8th February 2021

ALL THAT FOLLOWS

28th January 2021

CORK,MATCHSTICK,PAPER: INSTRUCTIONS TO A SMALL BOY

10th January 2021

About the current project

My current project is a self-designed, socially-engaged art project, called 'Age in the Frame', which grew out of work I'd been doing on age and ageing in the studio, and has now been running for a fascinating 12 months. See details in News and Posts to hear the recorded views of some of the participants, and see some of the early experimental work exploring the subject. A series of more developed images are now emerging.

Working in paper

Paper is both fragile and robust; it allows for colouring, layers, accretions, excavation; it can be ephemeral or solid; stiff or sagging, it rustles, creaks, peels, tears; it’s enduring and ubiquitous; it can be demanding, frustrating, delightful and affirming. Not much different to the human spirit. And the introduction of spray-paint adds another dimension to its character. It couldn't be a more suitable medium for the series 'Age in the Frame'.

Deborah Ann